In this episode of The Jewish futurism Lab: Torah, Tech, Tomorrow, host Mike Wirth sits down with his friend, Israeli digital artist and projection‑mapping creator Erez Cohen. Mike first encountered Erez’s work through a projection‑mapping piece called Metamorphosis, where veins and fungi slowly overtake a Jerusalem building and turn the city itself into a living, speculative Jewish landscape. You can explore more of Erez’s video mapping, sound, and interactive pieces in the My Works section of his portfolio at erezcohen.art.
The conversation traces Erez’s journey from hacking video games and running private servers to building immersive environments with tools like Visual Studio, TouchDesigner, and 3D animation. Together they dig into how that background in world‑building feeds directly into his practice of Jewish futurism, why his art is Jewish simply because he is Jewish, and what it means to design custom, generative experiences for a generation raised on platforms like Roblox and Minecraft.
Mike and Erez also reflect on collaborating on a digital projection project for Israel after October 7, the impact of war and canceled exhibitions on an artist’s plans, and the tension between staying present to crisis and still imagining the futures our kids might inhabit. It is a grounded, personal look at how one artist is using projection, sound, and code to explore Jewish identity, memory, and possibility in real time.
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