Archives: Episode

  • EP 14- Papayas on the Moon- My Chat with Alejandro Glatt

    EP 14- Papayas on the Moon- My Chat with Alejandro Glatt

    The Jewish futurism Lab
    The Jewish futurism Lab
    EP 14- Papayas on the Moon- My Chat with Alejandro Glatt
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    In this episode of The Jewish futurism Lab, I sit down with Mexican artist and papaya visionary Alejandro Glatt, the first Mexican artist to send a papaya to the Moon as part of the Lunaprise art museum project connected to NASA’s Artemis missions. Recorded on the day of the Artemis II launch, our conversation weaves together Jewish futurism, space exploration, and the surprising holiness of fruit in my own evolving sense of contemporary Jewish life.

    Alejandro and I first met at the Jerusalem Biennale, and in this interview I explore how his “Papayas to the Moon” work merges art, ritual, and space technology, turning a simple papaya into a cosmic symbol of life, diaspora, and connection. I ask him about his “Feel the Fruit” experiences, his role as a community builder and trip leader to Israel, and how he imagines Jewish civilization carrying its stories, symbols, and sacred objects into orbit and beyond.

    As you listen, you’ll hear me probing how Alejandro’s art on the Artemis missions reshapes my own questions about Jewish presence in space, how beauty and tiferet might travel with us off‑planet, and why sending a papaya to the Moon could be a kind of blueprint for future Jewish creativity among the stars. You can explore more of Alejandro’s work at alejandroglatt.com and see how his papayas are expanding the conversation about Judaism, ecology, and interstellar imagination.

  • Episode 13: How a Jewish Immigrant Named Hugo Created Sci-Fi

    Episode 13: How a Jewish Immigrant Named Hugo Created Sci-Fi

    The Jewish futurism Lab
    The Jewish futurism Lab
    Episode 13: How a Jewish Immigrant Named Hugo Created Sci-Fi
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    Before science fiction was a genre, Hugo Gernsback was already building the infrastructure for it: radio magazines, hobbyist communities, wild speculative stories, and the first publication devoted entirely to imagining tomorrow. A Jewish immigrant from Luxembourg, he launched Amazing Stories in 1926 and quietly trained a generation of readers and writers to think in futures, long timelines, and unintended consequences. His magazines hosted women in leadership roles, predicted computer dating, video calling, and the social costs of new technology, while also carrying the casual racism and sexism of their era. We place him alongside Einstein, the artists of Vitebsk, and Fritz Lang’s Metropolis to ask what it meant for Jewish creators to be building the future from the cultural margins. And we end with the question he would have loved most: who is building that kind of futures literacy today?

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  • Episode 12:  Professors, Dads, and the Jewish future with Shai Davidai

    Episode 12: Professors, Dads, and the Jewish future with Shai Davidai

    The Jewish futurism Lab
    The Jewish futurism Lab
    Episode 12: Professors, Dads, and the Jewish future with Shai Davidai
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    In this episode of The Jewish Futurism Lab, Mike Wirth sits down with Shai Davidai, the Israeli‑born social psychologist and former Columbia Business School professor who became a prominent voice for Jewish students after October 7. Together they trace Shai’s journey from secular Israeli kid to public Jewish advocate, unpack what really happened for him on campus, and explore how his training as a social psychologist shapes the way he reads our power, our responsibility today, and the continuity of our legacies tomorrow. They talk about fatherhood, professorship, and podcasting, and ask what kinds of institutions, communities, and narratives the Jewish future will need.

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  • Episode 11: Jews, AI, and the Real Meaning of “Creative”

    Episode 11: Jews, AI, and the Real Meaning of “Creative”

    The Jewish futurism Lab
    The Jewish futurism Lab
    Episode 11: Jews, AI, and the Real Meaning of “Creative”
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    In this episode of The Jewish futurism Lab, Mike Wirth uses the 4C model of creativity to map out what we really mean by “creative” in an age of AI art and endless images. He traces his own journey from parametric code experiments to Jewish futurist murals, then layers in Jewish history, exile, and the long tension around graven images as a lived curriculum in world‑building.

    Along the way, Mike explores flow, aura, and authorship, asking who holds intention and responsibility when AI enters the studio. The conversation lands in Jewish futurism as an ethical frame, inviting listeners to treat narrative and technology as tools for building livable futures.

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  • Episode 10 – From Utopia to Conspiracy: The Secret Battle Over Jewish Futures

    Episode 10 – From Utopia to Conspiracy: The Secret Battle Over Jewish Futures

    The Jewish futurism Lab
    The Jewish futurism Lab
    Episode 10 – From Utopia to Conspiracy: The Secret Battle Over Jewish Futures
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    In this episode of The Jewish futurism Lab, Jewish futurist and we’ll explore early Jewish futurism, Zionist art, and media history through Theodor Herzl’s Altneuland, Ephraim Moses Lilien’s Zionist Art Nouveau, and Boris Schatz’s Bezalel School in Jerusalem. He contrasts these utopian blueprints and design prototypes with the antisemitic hoax The Protocols of the Elders of Zion, showing how Jewish artists, writers, and educators used print, ritual objects, and visual culture to claim Jewish agency and design a different future.

  • Episode 9: From Cult to Code: Tracing the History of the Aura in Art

    Episode 9: From Cult to Code: Tracing the History of the Aura in Art

    The Jewish futurism Lab
    The Jewish futurism Lab
    Episode 9: From Cult to Code: Tracing the History of the Aura in Art
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    Walter Benjamin, AI, & the Aura of Art: In this episode of The Jewish futurism Lab, host Mike Wirth unpacks Walter Benjamin’s “aura” of art and asks what presence means when every image can be copied, remixed, and generated on demand. Moving from Byzantine icons and ritual objects to photography, social media, NFTs, and AI image models trained on his own work, Mike maps six value eras of art, from cult value and exhibition value to digital manipulation, circulation, synthetic scarcity, and generative value.

    Check out his article on the topic here.

    Along the way, he explores why a family Hanukkiah, a live performance, or a handmade painting still feel different from a viral post or a blockchain-certified NFT, and how Jewish ritual and textual tradition offer a counter-story to purely market-driven ideas of originality and authenticity.

    The episode lands on a haunting, guiding question for our AI age: when you stand in front of an image, an object, or an artwork today, was anyone present when this was made?

  • Episode 8: Speed Kills : Why Every futurist must confront the past

    Episode 8: Speed Kills : Why Every futurist must confront the past

    The Jewish futurism Lab
    The Jewish futurism Lab
    Episode 8: Speed Kills : Why Every futurist must confront the past
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    In this episode, we confront the rise and collapse of Italian Futurism, the avant garde movement that worshiped speed, technology, youth, and rupture at any cost. What began as radical artistic rebellion under Filippo Tommaso Marinetti quickly blurred into nationalism and ultimately aligned itself with fascism.

    So what went wrong?

    We examine how aesthetic obsession with acceleration became political extremism, and how the rhetoric of disruption can mask ethical blind spots. For today’s futurists working in AI, design, and innovation, the lesson is clear: progress without moral grounding is dangerous. If you build the future, you are responsible for its consequences.

    Essay referenced: What Went Wrong with Italian Futurism and Why Every futurist Needs to Know More About It

  • Episode 7: ADHD, Design, and Jewish futures with Alex Duchene

    Episode 7: ADHD, Design, and Jewish futures with Alex Duchene

    The Jewish futurism Lab
    The Jewish futurism Lab
    Episode 7: ADHD, Design, and Jewish futures with Alex Duchene
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    In this episode of The Jewish futurism Lab, Jewish futurist and community artist Mike Wirth sits down with graphic designer Alex Duchene to explore what it means to be a neurodivergent, Jewish creative. They talk about ADHD “neuro spicey super powers,” how neurodivergence shapes their design practice, and why stories are the throughline that connects their creative, Jewish, and neurodivergent identities. This is a conversation about thinking differently, designing with intention, and what Jewish futurism looks like through an ADHD lens.

    Alex Duchene’s Website

    Meesh Meesh Media

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  • Episode 6: Ethical AI and Jewish Art

    Episode 6: Ethical AI and Jewish Art

    The Jewish futurism Lab
    The Jewish futurism Lab
    Episode 6: Ethical AI and Jewish Art
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    In this episode, I look at how AI is impacting Jewish artistry itself: from how I and other Jewish artists research, sketch, and prototype with AI-generated imagery, to how algorithms are beginning to influence our visual language, ritual design, and the stories our communities tell about themselves. I raise concrete questions about authorship, ownership, and credit when AI systems remix Jewish symbols and styles at scale, and I ask what happens to kavannah, memory, and responsibility when part of the “hand” in Jewish art is computational. Throughout, I frame AI as both a powerful tool for midrashic reinterpretation and speculative Jewish futures, and a disruptive force that can flatten nuance, decontextualize heritage, or sideline human makers if we do not respond with clear ethical commitments.

    Let’s not wrestle with this golem alone. Check out this episode.

    Software referenced:

    DiffusionBee


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  • Episode 5: The Jewish Art of Alex Woz

    Episode 5: The Jewish Art of Alex Woz

    The Jewish futurism Lab
    The Jewish futurism Lab
    Episode 5: The Jewish Art of Alex Woz
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    What does it mean to build a Jewish future through scissors, glue, and pixels? In this episode, I sit down with collage artist Alex Woz, who I met at the Jerusalem Biennale. We talk about the graphic design industry, swap stories about our favorite Jewish artists, and get honest about why we make what we make.

    Alex grew up in an antisemitic city and turned that experience into an artistic mission. We explore the weird parallels between cutting and pasting found images and prompting AI, what makes art original, and how we’re both in conversation with Jewish creative lineage from Moritz Daniel Oppenheim to today.

    This conversation goes deep on legacy: What are we leaving behind for our descendants? What does Jewish creativity look like when it refuses to disappear? And why is Alex a practitioner of Jewish futurism, even if he works with analog and digital hand tools instead of code ?


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